My workshop is located in the historic town centre of Montpellier where I really enjoy to work.
My greatest inspiration comes from the Italian makers of the 18th century (from Cremona, Venezia and Breccia) who perfected the sound and aesthetic beauty of the violin family.
The study of these masterpieces has lead me to search for only the finest materials. I select spruce from Italian Alps and flamed maple from Bosnia.
I draw my models based on geometric and harmonic proportions used by the ancient makers (thanks to François Denis who found this lost informations).
All the woodwork is done using cutting tools like knives, gouges, planes and scrapers in order to obtain good control and quality in the making process.
I endlessly research matters of varnish and wood treatment. By using different resin, oil and cooking tricks I can change colour, flexibility and transparency: all these details influence the personality of the sound.
Throughout the process of making, my intuition, experience and exchange with musicians influence my aesthetics and sound direction.
My instruments are performed on throughout Europe and the United States by concert artists and teachers.

Selecting wood in Italy

Drawing the outline using geometric and harmonic proportions

Making the mould to give the shape of the instrument

Cutting the channel where will be inserted the purfling

Gouging the arching

Thumb planes

Finishing the arching with a scraper

Thickening the front

Sawing the scroll

Sculpting the scroll

Back, ribs and front before closing the box

Shaping the neck

Preparing the box to receive the neck

Cooking the varnish made of pine resin and linseed oil

Adjusting the sound post ("the violin soul" in french)
Upon the formal completion of his training, he opened his own workshop in Montpellier. Nicolas Gilles was born in 1977 in Montpellier, France, where he set up is workshop after expressing an interest in music at an early age. He pursued diplomas as both a performer and instrument maker.